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RNI All Films 4 - Pro
State of the art analogue film styles
$164
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Upgrading from Lite?

Original
RNI

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Film simulation that works like a charm
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* Processed with Kodak Portra 800 - Grainy style
About
What's New
State of the art film simulation
RNI All Films for Capture One is designed to bring the magic touch of analogue film into your digital workflow. This package contains an impressive library of beautifully crafted film styles made after real analog film stocks. Rediscover film aesthetics. Create an emotional essence in your photography with RNI All Films.
Born from film
RNI is a group of photography experts working hard to recreate the rendering of some present and discontinued photographic films and preserve it for the generations to come. All RNI film styles are top-notch image editing tools created after real film stocks using the best possible equipment and with a great deal of love and care.
Subtle, elegant, easy to use
At RNI we stand up for good taste. Natural colour harmony of analog photos, timelessness and human craftsmanship are at the core of RNI image processing tools. Thanks to the rich feature set of Capture One and its easy installation process — the RNI film styles are just one click away. Getting the most from your RAW files and digital negatives has never been easier.
V. 4.1
  • First release of RNI All Films 4 - Pro for Capture One, so everything is new.
Image Samples

Agfa Optima 100 - 01

Fuji Superia 800 - 03

Kodak Portra 800 - 01 grainy

Agfa Precisa 100 grainy

Fuji Pro 400H - 01 grainy

Kodachrome 2000s - 02 grainy

Agfa Vista 100 EV-- Grainy

Agfa Optima 100 - 04 - EV+ grainy

Kodak Portra 160c - 03

Agfa Optima 100 - Grainy

Polaroid 690 - 01grainy

Agfa Optima 100 - 02 - EV-

Kodak T-Max 100 grainy

Ilford Delta 3200 grainy

Kodachrome 2000s - 03 - warmer

Kodachrome 64 - 01

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Original photo by
Ed Sinclair

Kodak Portra 160C - 02 grainy

Kodak Gold 800 - cool fade

Fuji Superia 200 - 02 - extreme

Kodak Portra 800 - 01 grainy

Agfacolor XPS 160 - calm grainy

Technicolor 2 (approx) grainy
Film Styles Included
NEGATIVE FILMS
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Agfa Optima 100 - clean / grainy / process variations
Agfa Optima 400 - clean / grainy / process variations
Agfa Vista 100 - clean / grainy / process variations
Fuji Natura 1600 - clean / grainy / process variations
Fuji Pro 160C - clean / grainy / process variations
Fuji Pro 400H - clean / grainy / process variations
Fuji Pro 800Z - clean / grainy / process variations
Fuji Superia 200 - clean / grainy / process variations
Fuji Superia 400 - clean / grainy / process variations
Fuji Superia 800 - clean / grainy / process variations
Fuji Superia 1600 - clean / grainy
Kodak Color Plus 200 - clean / grainy
Kodak Ektar 100 - clean / grainy / process variations
Kodak Gold 100 - clean / grainy / process variations
Kodak Gold 200 - clean / grainy
Kodak Gold 400 - clean / grainy / process variations
Kodak Gold 800 cool fade - clean / grainy
Kodak Portra 160C - clean / grainy / process variations
Kodak Portra 400 - clean / grainy / process variations
Kodak Portra 800 - clean / grainy / process variations
Rollei Digibase - clean / grainy / process variations


SLIDE FILMS
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Agfa Precisa 100 - clean / grainy
Agfa RSX II 100 - clean / grainy
Fuji Astia 100F - clean / grainy / process variations
Fuji Fortia SP - clean / grainy / process variations
Fuji Provia 100F - clean / grainy / process variations
Fuji Sensia 100 - clean / grainy
Fuji Velvia 50 - clean / grainy
Fuji Velvia 100 - clean / grainy / process variations
Fuji Velvia 100F - clean / grainy
Kodak E100G - clean / grainy / process variations
Kodak E200 - clean / grainy / process variations
Kodak Elite - clean / grainy


INSTANT FILMS
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Fuji FP 100C - clean / grainy / process variations
Fuji Instax Mini - clean / grainy / process variations
Polaroid 600 - clean / grainy / process variations
Polaroid 669 - clean / grainy / process variations
Polaroid 690 - clean / grainy / process variations


BW FILMS
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Agfa Scala 200 - clean / grainy
Fomapan 100 - clean / grainy
Ilford Delta 100 - clean / grainy
Ilford Delta 400 - clean / grainy
Ilford Delta 3200 - clean / grainy
Ilford HP5 - clean / grainy
Ilford Pan F Plus - clean / grainy
Kodak T-Max 100 - clean / grainy
Kodak T-Max 3200 - clean / grainy
Kodak Tri-x 100 - clean / grainy


VINTAGE FILMS
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Agfacolor 40s - clean / grainy / process variations
Agfacolor 50s - clean / grainy / process variations
Agfacolor 60s - clean / grainy
Agfacolor XPS 160 - clean / grainy / process variations
Kodachrome 40s - clean / grainy
Kodachrome 50s - clean / grainy / process variations
Kodachrome 60s - clean / grainy / process variations
Kodachrome 64 - clean / grainy / process variations
Kodachrome 1958 - clean / grainy / process variations
Kodachrome 2000s - clean / grainy / process variations
Technicolor 2 (approximate simulation) - clean / grainy


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NOTE ON CAPTURE ONE LAYERS SUPPORT
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This product implements the best possible support for Capture One layers, allowing you to adjust film intensity and even mix different film looks together. However some of the Capture One adjustments like film grain can't be applied to Capture One layers while some other adjustments like curves may affect more than one layer at once. We hope that Phase One will be able to add full layer support for all of their tools and better isolate the layer adjustments from each other in the future.


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NOTE ON 'EXTREME' VERSIONS
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When using RNI All Films for Capture One you may notice that some of our film styles come with 'extreme' versions. In many cases these versions allow you to achieve much more natural-looking results with more film-like tonal response, especially in highlights.
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However these looks come at a price. First — they are for RAW only. Second — they may contain some extreme values of RAW adjustments leaving very little room for your own edits. Also such versions may not be fully supported by Capture One layers or produce unexpected results if applied to layers.
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To summarise: using the 'extreme' style versions can be rewarding. However they require more skill and discipline from the photographer. Generally, to fully benefit from the extreme style versions your skill and judgement of lighting should be good enough to get things right straight out of camera.
Installation & Requirements
How to install
Please refer to the installation instructions included in your product download.
System requirements
MAC / PC
Phase One Capture One 10, 11, 12, 20, 21 and newer.
Also fully compatible with Capture One for Fujifilm, Sony etc.
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RAW / jpeg *
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Please note that you'll need Capture One to use these styles.
If you don’t have it, you can always get a free trial from Phase One.

* This product is designed for RAW editing. However it can work very well for tiff/jpeg images too. In case of tiff/jpeg editing some additional exposure/levels correction may be required.

RNI Desktop Products Compared
All Films 4
All Films 5
Built after real film stocks
Lightroom & Photoshop ACR version¹
Sync to Lightroom Mobile¹
Capture One version¹
Film looks, generation²
gen 4
gen 5
Film looks aligned with RNI Films for iOS
Profile-based (does not touch adjustment sliders)
Adjustment-based (uses adjustment sliders)
Non-destructive editing
Profiled to cameras
Native look strength adjustment
Adobe only
Film-like highlight compression
Adobe only

1. Adobe Lightroom and Capture One versions of our products are sold separately in order to sustain our work. The exact product features may vary between the Adobe and Capture One versions, please check the product pages for full details. Some minor variation in the visual output between the two may occur, that's due to fundamental differences between the Adobe and Phase One rendering engines.
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2. Film look generations are basically major revisions of our entire film library. Sometimes we have to rebuild our whole library of digital tools from the ground to address new technological opportunities or simply make it much better.

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ABOUT: Our film-inspired presets for Lightroom and Capture One are developed to simulate analog film effects in Adobe Lightroom and Phase One Capture One. All presets are developed by digital imaging professional using proprietary techniques to achieve the best possible results. Our presets for Lightroom and Capture One offer such great features as: emulating authentic film look in Lightroom and Capture One in one click: it really takes just one click to apply all the adjustments and manipulations required to recreate a sophisticated film look in your photo. None-destructive image editing: when you apply our film presets to your images in Lightroom or Capture one, it does not harm the original image. Any preset can be cancelled just in one click returning the image to its original state.

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