Real film stocks carefully digitised using the most advanced colour science and best equipment. RNI All Films 5 brings the magic touch of analogue film into your digital workflow and makes your photos look stunning in one click.
Fuji Superia 200 v2 normalised
Agfa Optima 100
Kodak Ektar 100 v3
Kodak E200 v2
Fuji Natura 1600 II
Fuji Pro 160NS v3
Autochrome 50s Plus
Kodachrome 70s v3
Technicolor 2 v2
Ilford Delta 400
Agfa Scala 200 faded
And many more...
Rediscover film aesthetics. Bring the magic touch of analogue film into your digital workflow.
More than just presets
RNI All Films 5 incorporates real film colour profiles. This enables really sophisticated and precise colour transformations which are far beyond what's been possible with Lightroom adjustments alone.
It is quite different. The All Films 5 is not a replacement for All Films 4, it's just a new tool based on the new underlaying principles and featuring a range of updated and refined film looks. Among its distinctive features are: – New film looks (best film stocks, new flavours) – Fully profile-based design, means more room for your own edits – Film-like highlight compression – Native look strength adjustment
Yes, there is. For quite long we’ve been telling our customers that it’s not possible to port All Films 5 to the Capture One platform without compromising on some of its key features. Which is still true. So please treat All Films 5 for Capture One as a separate product with its own features and specifics.
All the manuals are included in your installation package. Please check your download receipt for the links to the instructions.
MAC / PC An up-to-date version of Adobe Lightroom Classic or Adobe Lightroom (former Lightroom CC) or Adobe Photoshop Camera RAW Please note that you'll need Adobe Lightroom or Adobe Photoshop in order to use this product. If you don’t — you can always get a free trial from Adobe:
1. Adobe Lightroom and Capture One versions of our products are sold separately in order to sustain our work. The exact product features may vary between the Adobe and Capture One versions, please check the product pages for full details. Some minor variation in the visual output between the two may occur, that's due to fundamental differences between the Adobe and Phase One rendering engines. – 2. Film look generations are basically major revisions of our entire film library. Sometimes we have to rebuild our whole library of digital tools from the ground to address new technological opportunities or simply make it much better.
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